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![]() ![]() Benefits of the 3-2-1 Backup Rule for Businesses This off-site backup could be stored in the cloud, on a remote server, or physically in a different physical location. Maintain one copy of your data in a location separate from your primary and secondary backups. The final pillar emphasizes the importance of an off-site backup. For instance, you could have one copy on your local hard drive and another on an external one or network-attached storage (NAS). It means storing your primary copy and backups on separate devices or mediums. Next, diversify your data storage by utilizing two different media types. This triple-layered approach ensures redundancy, allowing recovery even if one copy becomes compromised. One is the primary copy, while the other two serve as backups. ![]() It starts with maintaining at least three copies of your data. However, to truly understand the power of the 3-2-1 backup method, it’s best to break it down into its three essential components: Three Copies It revolutionized backing up data, extending beyond photography to find relevance in various technology domains. photographer Peter Krogh in the early 2000s. Surprisingly, this rule was pioneered by U.S. It is where the 3-2-1 backup strategy swoops in as your digital guardian, offering a lifeline of protection. To visualize it, if your hard drive crashed, your laptop got stolen, or a fire engulfed your office, precious data and years of hard work could be gone forever. It ensures redundancy, resilience against data loss, and improved recovery capabilities in unexpected circumstances. The 3-2-1 backup rule is a data security technique that involves creating three copies of your data, storing them on two different media types, and keeping one copy off-site. Unravel its importance to secure your data effectively! What Is the 3-2-1 Rule? Gladly 3-2-1 backup rule is a solution that ensures your precious data remains safe and recoverable, even in the face of unforeseen disasters. These can cause operational disruption, reputational damage, or legal and compliance issues. According to the latest MSP Threat Report, in 2022, 73% of organizations experienced a ransomware attack, of which 38% more than once.ĭata loss brings devastating consequences, whether due to a malicious cyberattack, a sudden hardware failure, or an accidental file deletion. It’s a nightmare scenario that is more likely than it seems. Keep in mind, Veeam File Copy job also copies file permissions (ACL)! To enable a user-account at the destination system to delete copied files, files at the both (source and destination) must have write/modify permission for the users-group.Imagine one day finding all your photos, documents, and crucial business data irretrievably lost. To not ignore security at this step, the user that runs this scheduled task should not be a local administrator of the machine - a normal user-account is sufficient. Get-ChildItem -Path E:\Copy_VeeamBackupConfig\VeeamConfigBackup\*\*.bco | Where-Object | Remove-Item $DeleteData = (Get-Date).AddDays(-14).Date A easy way to do so is to schedule a PowerShell script like this: So they should also get deleted after some time otherwise partition runs full. Therefore the amount of files at the destination will increase. I would recommend to run this job just after the configuration backup.ĭone? Almost! It is important to know, File Copy job copies files respectively a directory, but is does not synchronize. ![]() Finally select your preferred time schedule. As mentioned, this system should be part of backup job. 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The series is directed by Peter Kosminsky, adapted by Peter Straughan, and produced by Lisa Osborne. ![]() The series will be distributed internationally by Banijay Rights. Wolf Hall: The Mirror and the Light (6圆0’) is a Playground and Company Pictures co-production for the BBC and MASTERPIECE. Cromwell is as complex as he is unforgettable: a politician and a fixer, a diplomat and a father, a man who both defied and defined his age. The inevitable question remains: how long can anyone survive under Henry’s cruel and capricious gaze?Įagerly awaited and years in the making, Wolf Hall: The Mirror and the Light will trace the final four years of Cromwell’s life, completing his journey from self-made man to the most feared, influential figure of his time. But as fortune’s wheel turns, Cromwell’s enemies are gathering in the shadows. All of England lies at his feet, ripe for innovation and religious reform. Shooting in Tudor locations all over England and Wales, it is our privilege to bring Hilary's last novel to an international television audience.”ĭespite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry’s regime to breaking point, Cromwell’s robust imagination sees a new country in the mirror of the future. ![]() Led by Mark Rylance and Damian Lewis, they’ve been drawn by the quality of Hilary Mantel's writing and Peter Straughan's adroit adaptation. Reuniting the creative team from the BAFTA and Golden Globe winning first series, Wolf Hall: The Mirror and the Light will be directed by seven-time BAFTA award winner Peter Kosminsky (The Undeclared War, The State), adapted for television by Academy award nominee Peter Straughan (Tinker Tailor Soldier Spy, Frank) and produced by Colin Callender’s Playground (The Undeclared War, All Creatures Great and Small) and Company Pictures (Van Der Valk, Blood).ĭirector Peter Kosminsky says: “Casting Director Robert Sterne has done a truly extraordinary job assembling the most stunning cast with which I've ever had the privilege to work. 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Line capacity is substantial 275 yards of 30-pound test braid for the HY20 and 330 yards for the HY25. The Hybrids are available in two sizes, the HY20 and HY25, in silver or black, and there’s also a southpaw version of both reels in silver finish. There’s a clicker for light-tackle trolling or for when dead sticking a strip bait. There’s no cross-top bar so the angler can thumb the spool for optimum line control when live lining or fluke fishing. Maxel seems to have thought of everything. The arms of the "star" on the star wheel are ergonomically angled slightly inward toward the center of the reel so fingers can’t mistakenly alter the drag setting while cranking the handle. The star drag wheel has clicking detents so once the drag is set it won’t slip. The drag is buttery smooth, and there’s plenty of it – 28 pounds! 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The Hybrids are true multi task reels equally at home drifting for fluke, live lining for stripers, chumming or jigging bluefish, bottom fishing for sea bass and tog, and light trolling for dolphin and albies. Maxel Hybrid Star Drag Reels feature a compact 1-piece aluminium frame, cold forged aluminium spool, and deliver smooth Star Drag performance, even when wet. They’re called Hybrid because they combine the engineering, machining and impeccable high standards of the company’s Ocean Max lever drag reels, but in a star-drag configuration. The Hybrids are true multi task star drag reels for jigging ,bottom fishing, casting and light trolling etc. The small package sits low on the rod thanks to a strong ,recessed stainless steel reel foot. Comfort is a big part of the strong ,lightweight handle with its sure-grip knob. ![]() The positive thumb bar free spool with automatic re-engagement is less than a quarter of a turn makes lure and rig presentations easy. You will be amazed at the unique combination of gears ,stainless steel-shield bearings ,clutch bearing anti-reverse and super strong precision-precision-machined construction. Seven shielded stainless steel bearings also ensure a smooth and constant casting and retrieving performance. It has a smooth ,quiet and fast ratio ,plus heat-treated ,high precision stainless steel gears that will help winch up the bigger fish and will last the lifetime of the reel itself. It also boasts a super smooth ,precisely adjustable ,wide range carbon drag that can deliver up to 13kg drag to control most big game fish. Small ,Light and Powerful ,it delivers both braid-ready drag and retrieve power in a small ,comfortable-in-the-hand reel that gives the angler big reel features in the palms of your hand. 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The Big World, focusing on depictions of the land in The Wolfsonian's collection, challenges expectations of landscape art as it goes beyond bucolic scenes to reveal changing vistas of the modern era rendered in paintings, the decorative arts, and even a grand piano. The Big World: Alternative Landscapes in the Modern Era Trolley Stop | FIU- 9 & 11 Street & Washington Avenue Tours are included with the cost of admission and last about 45 minutes.Ĭelebrate Art Week Miami Beach and the launch of The Bass’s 60th Anniversary Season with FREE museum admission all day. Special programming at The Bass includes:Ĭurator Culture – A Conversation with Stuart Comer, Barbara London and Legacy RussellĬoinciding with the launch of The Bass’s exploration of the concept of “networks,” this conversation offers an opportunity for audiences to look back-and forward-with leading voices in contemporary art at milestone moments in art and technology, and the impact the contemporaryĮxhibition has on writing art history through the production, presentation and distribution of the moving image-video, digital, Internet, augmented and virtual reality.Įnjoy free daily guided tours during Art Week Miami Beach and explore the museum’s exhibitions, public art projects and architecture. The Bass will be exhibiting Hernan Bas - The Conceptualists, Anne Duk Hee Jordan - I Will Always Weather You, Etel Adnan- Painting Into Space, Nam June Paik - The Miami Years, Social Assembly - Welcome to the Museum, and We Are in this Together - Selections from the Collection. Trolley Stop | 21 Street & Collins Avenue Visitors are welcome daily from 10 AM – 6 PM Student Exhibition Fiber Art Class organized by Professor Kerry Phillips The artist’s use of expressive strokes and imagery unveils a captivating narrative, inviting viewers to delve into the dynamic interplay of form and subject matter. The paintings reference gestural elements, focusing on figures and rabbits as central motifs. Presenting a collection of recent works by Pip Brant. Seen in its totality, this display is a calculated but picturesque arrangement of the production of architecture. Each project is represented with design and working drawings, photographs, renderings, and models. 10 projects, six of which have been built and four of which are in progress or unbuilt are displayed on a single “work” table 3-foot-wide by 33 feet long. Work Table(au) is an architectural exhibition presenting the recent work of Associate Professor Jason R. Special programming at the Miami Beach Urban Studio- FIU includes: ![]() Trolley Stop | FIU- 17 Street & Washington Avenue The Miami Beach Legacy Purchase Program seeks to strategically expand Miami Beach’s public art collection by purchasing an artwork that is reflective of our community spirit, aligns with the curatorial direction of our existing collection, reflects international artistic excellence, and is a valuable investment to our Art in Public Places collection. The annual program tasks the city’s Art in Public Places Committee to select three world-class pieces of artwork from the emerging artists of the Art Basel Miami Beach Positions and Nova Sections with a budget of up to $80,000.Įussen was among three finalists selected by the city’s Art in Public Places Committee alongside Noémie Goudal (presented by Edel Assanti, London, UK) and Shannon Bool (presented by Daniel Faria, Toronto, Canada). The City of Miami Beach is pleased to announce that It’s Alright, by artist Anneke Eussen, represented by DOCUMENT (Chicago, USA), has been selected by the public as its 2023 Legacy Purchase Program acquisition. |
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